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It is five o’clock in Callao and it’s
getting dark and there’s a piece of
me somewhere on this sidewalk that
I can’t find, and you are of no help,
you are of no use.

You are just The Peruvian now. A face
that floats into a crowd in Lima, a voice
that echoes in an alley in el Rímac, a palm
tree in San Borja. I was always so sad
with you, and I didn’t know why. I thought
it was me, a missing jigsaw puzzle piece that
would be found under a neighbors sofa in a year
or two. It was never me. In the end, it became
a lot of you as you lashed out and I withdrew
so deep into myself that there are moments that
I still don’t remember my name, like the millisecond
of time between the changing film reels.
The happy moments were with your sisters in Lima.
Pisco sours and anticuchos in Barranco
and then we went to that bar that used to be a
home from your colonial-era, and I could swear that
I still have the business
card in a purse somewhere. I was digging
through my jewelry box for a pair of earrings,
and I found my rings and for a second it was almost amnesiac,
whose are these? Where did they come from? And the
soles were at the bottom, and I remembered paying for
lúcuma ice cream with them at Larcomar, the
breeze whispering into my hair.
I remember your Tío Pepe and how he
treated me like I’d always wished you did. Belly laughs.
Hermosísima. Tia Flor and the jewelry she gave me.
La Chata and the way she gripped me and told me
nunca olvides, tú eres una mujer bellísima. Empanadas
with your sister, and that little cafe right near her apartment.
Challe and how he made that entire dinner to welcome me
to his country. Your sister and I hanging out windows on
either side of the china cabinet, fumando y hablando, and
all of Lima lay before us. Julio showing me how to find the
perfect mango. He is the reason I never buy mangoes
anymore. The hole-in-the-wall restaurant in Sirquillo
where we ate chicharrones with pan francés. The human
bones under la iglesia de San Francisco, and how I wanted to
climb in with them. All the promises you made. Punto Azul
restaurant with your entire family, the fans blowing in my hair,
a band-aid over the problem. I still couldn’t stop sweating
and you through gritted teeth telling me to finish all of my
food, even though you knew how sick I was, because Tía
Perla was paying, and please, I don’t want my mother finding
out how ungrateful you are. Standing at the edge of
Larcomar and wondering if I jumped, would I go headfirst into
the rocks, or would God give me wings with which to fly away?
A disagreement in the park, your voice filled with contempt
telling me to stop behaving like a child, I was only mad
because I liked being mad. The smack that echoed in my
head as my open palm hit your cheek. The apologies I made.
The man who walked past me and groped my breasts through
my shirt, and how you mocked me for being as shaken
as I was. Yelling at me to say my d’s, you are married to
a Peruvian and not a Cuban, don’t you ever learn? Don’t
look at my cousin like that, I know how you American women
are. Coffee and a suspiro limeño with your sisters, and you
looking me up and down, and well, I hope you didn’t eat too
much. You need to look good for me. Whining about
having to get up early to take me to the airport.
Sitting with your brother as he told me how to stay safe in
Bogotá; pointers I didn’t really need but I appreciated the
gesture, anyway. I went to go catch my plane and when I turned
around to say goodbye, you were already gone. Your
brother waving and smiling,¡adiós, que te regreses
bien pronto! ¡Un día vaya yo a ir a tu país!

You were impatient on the sidewalk. You
could never wait to get away, and I still mean
the things I didn’t say.


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You smelled like money when you pulled me out of the
Hudson, threw me a life raft in the form of a hundred
dollar bill. I wasn’t worth the 5 or 6 hours you spent
breathing the life back into me, as it’s all but
escaped by now. There’s an ache in me that even
fast food, JD, and nicotine haven’t succeeded at quelling,
and the familiarity of being comfortably numb beneath you has
worn off, and I don’t know which way to turn in
this dark room. Either way I go, I feel the reminders
in your knees, your elbows. My entire body is a jagged
edge, and there’s nothing left. I am an open wound.
They say that when I’m
happy, there’s a light inside of me that lights up, but I
haven’t felt the warmth of that light in years, and when you asked
me for proof that God doesn’t exist, I directed you into my eyes for
evidence that can’t be translated into any language.
You nodded softly and walked away as I sat on that staircase
that the entire world recognizes. It’s all there.
I was all the proof you ever needed.

saudade


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They say I am a feeler
and today
it is all saudade.


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inuit child, my fearless dancer.  let us not forget what happened here. lying in the grass, you are chasing birds you will never catch and disappointment is not a lesson that I am willing to teach today.  your father, slipping in and out of psychosis, will teach you about disappointment.  your mother will teach you about how empty filling your life full with cotton stuffing, like your existence is a misshapen teddy bear, makes you feel on the inside.  let us not forget what has happened here.  we will plan grand adventures through the back yard, where every blade of grass is an entire rainforest, and a decorative water fountain is the best entertainment for miles.  we draw our hopes and dreams in Crayola on the walls and wash it off before your grandmother sees.  frozen tater tots are the only thing you ever ask for, and you are so pure, untouched by insecurity and self-doubt  that a request to smile for the camera is fulfilled with lips spread so wide that your carotid and jugular tighten against your skin and your eyes are forced shut under the shine of that smile. million dollar baby, you can lie on top of me as we peer through the cat door looking for cat-cat's paws.  let us not forget.  the smell of sunscreen, a toddler's wet kisses on the nape of one's neck or the arch of one's cheek, flying above a spinning garden sprinkler, hobbling across stepping stones and always making sure I am no more than three steps behind. "'Thena, c'mon!" is a broken record that turns into a beautiful melody. let us not forget. handprints in concrete stepping stones, dirt between the toes.  you are an archaeologist here, finding artifacts of years past where I did not feel every breath like an overpowering ache.  if there is a God, he must be kind and loving to have sent me a savior in Elmo footie pajamas.  I needed this as much as you did.  I have to leave all too soon and I wish I could take you wish me and make sure you are always safe.  let us not forget what we have learned here about unassuming, no-strings-attached love, spelled out by a toddler’s excited shrieking of my name.  there is no good enough, there is no being better to get what you deserve.  there is never enough time. there just is.  eli ry ty.  let us not forget how the heart always remembers how to keep beating.


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I know you won’t remember any of these days, scribbling in oversize Dora the Explorer coloring books or bouncing around in the backyard, trying to catch all the birds that you never will, where you won’t go too far without looking behind you to make sure I am there, where “thena! c’mon!” is a broken record that never stops playing, splashing in the kiddie pool and running through the sprinkler, but I will and I hope they can change something, increase your chances of surviving two parents who never deserved you, not for one second. I have to leave soon, and I wish I could take you with me and make sure you are safe always. I hope I can somehow reach out and touch you, and it is like the God that I am not sure I believe in most days knew we needed each other.
My heart is breaking.


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I would like to take you to the ends of the earth to keep you away from growing up with a mother with only a few brain cells to rub together who only sees you as a trophy and the occasional family court chess piece and a father who spends more time in psychosis than out and who acts like he doesn’t really want you around a lot of the time.
But I can’t. So let’s lie on the floor together and peer through the cat door and talk to the cat who peers back at us and eat frozen tater tots and have grand adventures in the backyard this weekend. I will pretend that it can make some kind of difference in how my heart breaks.


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"Anyone worth knowing breaks once.
Once.
No shame, no foul if you survive it."

what we are not told is that it is never a clean break.
it can never be stitched up
in the way that a surgeon with impeccable attention to detail
weaves the stitches
in and out, and over and under.
I cannot hide this scar you left when you drove the knife right into my chest
and twisted,
reversing the flow of blood through the heart.
I ask people to touch it, can they feel my heart beating beneath it?

My heart.
I don't wear it so much on my sleeve as I encase myself in it.
I am pulsing and throbbing, squeezing every breath out of life.
They hold me up at school assemblies.
This is your heart, and the mitral valve opens and closes,
and if you pay close enough attention you can see my soul tumble out.

I have tried to harden myself, toughen myself up
like the nicotine-hardened heart of the life-long smoker.
I gave up smoking a long time ago,
and all of that aside, people break from yearning, too.

In this room, right now, I can feel all of us
beating in perfect time.
While my mother always told me that I was too sensitive,
needed to learn to
laugh at myself,
toughen up &
grow a thicker skin,
I want no part in any of that.
The electricity that runs right through me
when I don't clear the person passing me in the stairwell
is what keeps me alive.

This only breaks you once.
Once.
Somewhere in breaking, you learn that if you want to be
someone who is trusted,
you need to be someone who trusts.

Your eyes are so empty.

Hold me tightly. Trace this scar in my chest.

It means I am still alive.